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Only difference is where you’re standing, and the distinction is remarkably finicky.

The button to put a guy safely inside the trunk of a car is the same button that slams his head into the car’s body and kills him. Drive into an NPC that isn’t programmed to dive out of the way and you’ll push him along, a dead expression on his face, then he’ll hilariously rubber-band back to where he was. Sometimes the goofs are just funny: Park a car in a spot where an NPC stands, walk away and come back: He’s standing on your hood. It’s a whole mess of little polish issues that drag down Sleeping Dogs. The fact that Shen can slow down time when he vaults over a crate just feels like gilding the lily. And these are the ones who don’t take up cover positions next to whole barrels of salsa. I took out a guy 100 yards away on a rooftop with a single round from a machine gun, which sailed through his forehead like I was using a sniper rifle. Guns may be rare in Hong Kong but the ones you do find fire magic bullets that kill anything from any distance. When guns get thrown into the mix, things get a lot easier. Many fights felt more like Dragon’s Lair than Double Dragon.Īs I’ve said, the martial arts sequences tend to be rather challenging. And sometimes pressing the attack button doesn’t do anything he’ll only punch when he feels like it. Tapping the counter button means that Shen will counter the enemy’s move, but he waits to do it until the right point in the animation. This emphasis on smoothly animated counters disconnects the combat from the player’s inputs, though. I didn’t realize until I was nearly finished with Sleeping Dogs that I could pull out my phone and call girls and go on dates with them.

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And sometimes it tends to assume that since you’ve already played GTA you don’t really need to be told how to play this. Sleeping Dogs invites every Grand Theft Auto comparison because it is in many ways a slavish copier of it. The button that politely hails a taxi is the same button that violently yanks the cabbie out of his hack and smashes him onto the asphalt. Grand Theft Auto IV looked a lot better, four years ago. The city tends to all run together, a mass of nondescript locations and boring geography.

Hong Kong doesn’t stand up to close examination. We’re lucky that Square Enix picked it up, but it really shows its age. It’s said the game was nearly complete at that point. It’s kind of a miracle that Sleeping Dogs made it out originally called True Crime: Hong Kong, the game was in the works since 2008 but canceled by original publisher Activision in 2011. It’s best in the rain with a sad song on the radio (several stations, mostly Chinese music). Driving on the left side of the street, getting on and off the highway. It vaguely reminds me of Tokyo but not exactly. I don’t know if it’s realistic, but it’s certainly exotic.

I’ve never been to Hong Kong so I couldn’t tell you if the city is lovingly recreated or totally fake or what. The bite-size, okay-just-one-more missions certainly helped, but I was in large part sticking around to see the next cinematic scene.

Wanting to know what was next was what kept me playing. You wonder what’s going to happen, whether Shen will finally go over the edge or what. It’s a linear story that’s going to play out like it plays out. You can’t grapple a car.Īs the player, you have no choice in the matter. Drug busts quickly became Vehicular Homicide Smooth Jazz Hour. I was ready to just ignore drug busts until one day when I was driving my car up to another group of hoods who were planning to destroy my face and I realized: Why would I actually get out of the car? I tuned the radio to a saccharine love song, the Cantonese equivalent of Michael Bolton, and started running over every thug in the alley.